Exhibitions / Screenings / Bibliography
Download PDF: Curriculum Vitae
Education
| 2008 | MA, Faculty of Interdisciplinary Studies, York University,
Toronto Areas of Specialization: Visual Arts, Women's Studies, Humanities Thesis: "Paradise Jacked: Primitivism, Disidentification & Feminist Cultural Practice" |
Exhibitions (*Solo)
| 2010 | Caribfest, Barrie, Ontario |
| 2009 | *American Empress: Credit for the Empire's
Troubled Royalty, North York Central Library, Toronto, Ontario CRUX: Seventh Annual Juried Exhibit, Mayer Fine Art Gallery, Norfolk, Virginia |
| 2008 | Movement '08 – A Contemporary Art Happening,
the Production House, Etobicoke, Ontario Urbanity Humanity, Scotiabank Nuit Blanche '08, Beaver Hall Gallery, Toronto Hands On, Latin-Afro Fest, Gallery 1313, Toronto |
| 2007 | One-Day Art Affair, the Production House, Etobicoke,
Ontario Scotiabank Nuit Blanche '07, Beaver Hall Gallery, Toronto Square Foot 2007, Awol Gallery, Toronto group of six | sistahz+, rock/paper/sistahz festival, Harlem Restaurant, Toronto |
| 2006 | Scotiabank Nuit Blanche, Beaver Hall Gallery, Toronto |
| 2005 | Poetry is Not a Luxury, Mayworks Festival, This Ain't
the Rosedale Library Gallery, Toronto Ten: A Group Exhibition, Trane Studio, Toronto, Ontario |
| 2004 | *Light as a Feather, Heavy Like Lead,
Trane Studio, Toronto Pages Books & Magazines, Toronto |
| 1999 | *queens., 52 Inc., Toronto |
| 1996 | Image Dis: Emerging Black Women Artists, Galerie SAW Video, Ottawa, Ontario |
| 1994 | Telling Lives: Women and HIV, ArtSpace, Peterborough, Ontario |
| 1993 | Remapping Desire, A Space Gallery, Toronto |
| 1992 | Gathering: The Memorial Project, A Space Gallery, Toronto Feathers of the Phoenix, A Space Gallery, Toronto |
| 1991 | Healing Images, Ontario College of Art, Toronto Irreverent Visions, A Space Gallery, Toronto |
| 1990 | Black Women and Image, A Space Gallery, Toronto |
SCREENINGS
| 2009 | Cachín Cachán Cachunga!, The Street, Edinburgh, Scotland |
| 2005 | Ed Video Media Arts Centre, University of Guelph,
Guelph, Ontario Boiling Frog's Screaming Media, Toronto Optic Nerve Film & Video Festival, Peterborough, Ontario |
| 2003 | Independent Media Arts Alliance Conference, Regina, Saskatchewan Images Festival, University of Toronto, Toronto |
| 2001 | Trinity Square Video, Toronto |
Public Collections
| Universidad de Puerto Rico, Recinto de Río Piedras, San Juan PR |
Selected Bibliography
| LeMinh, Angelica. "North York Central — D/1 — September 16, '09." metro_textual. 20 September 2009. |
| Ossandon, Desirée (D. Cole). "Shameless Women: Karen Miranda Augustine: Ritualistic Pop Artist." Shameless Blog. 17 September 2009. |
| B., Nakeya. "Because Using Three Names Make You Official." ATE Traks. 16 June 2009. |
| Williams, Carla. "African-American and African Diaspora Art" in Claude J. Summers (Ed.), The Queer Encyclopedia of the Visual Arts. San Francisco: Cleis Press, 2004, 13. |
Davis, Nicholas. "Artist revisits
how women portrayed: Karen Miranda Augustine tells Nicholas Davis
she makes her subjects 'strong and sensual.'" The Toronto
Sun 8 November 2004: 22. |
| Sethi, Meera. "The Mainstreaming of Dissent: Women Artists of Colour and Canadian Arts Institutions." Resources for Feminist Research (Winter 2002), 86. |
| Cornell, Drucilla (Ed.). Feminism and Pornography. New York: Oxford UP, 2000, 300. |
| Felesky, Leigh. "Defining & Redefining Women: A Three-Part Look at Canadian Women's Magazines." Ryerson Review of Journalism (Summer 1997), 23, 35–39. |
| Millersdaughter, Katherine. "A Coincidence of Lipstick and Self-Revelation" in Laura Harris and Elizabeth Crocker (Eds.) Femme: Feminists, Lesbians, and Bad Girls. New York: Routledge, 1997, 119. |
| "The Art of Reflection." The Art Book: Issues, News & Reviews, vol. 4, issue 3 (June 1997), 29–44. |
| Meskimmon, Marsha. "The Body Politic: Sexual Violence" in The Art of Reflection: Women Artists' Self-Portraiture in the Twentieth Century. New York: Columbia UP, 1996, 180–182. |
| Beavis, Lynn. "Telling Lives: Women and HIV." Matriart: A Visual Arts Magazine, vol. 6, no. 2&3 (1996), 8–13. |
| "At the Crossroads." Broken Pencil. 1996. |
| Gottlieb, Amy."Artist-Run Culture," MIX: Magazine of Artist-Run Culture (Fall 1996). |
| Nicholson, Judith. "At the Crossroads: A Journal for Women Artists of African Descent." Afterimage (June 1995), 27. |
| Christakos, Margaret and Amy Gottlieb. "Telling Lives: Women and HIV." Parallèlogramme: Contemporary Art, vol. 20, no. 3 (Winter 1994/95), 67. |
| "Multiplying Desires." FUSE: Art, Media & Politics, vol. 17, no. 2 (Winter 1993/94), 30. |
| Eamon, Christopher. "Gathering: The Memorial Project." FUSE: Art, Media & Politics, vol. 16, no. 3 (Spring 1993), 40–41. |
| Hanna, Deirdre. "Gathering: The Memorial Project," NOW magazine (November 5–12, 1992). |
| Judge, Martha. "Healing Images." FUSE: Art, Media & Politics, vol. 15, no.1&2 (Fall 1991), 42–43. |
| Elamin, Ahmed. "Brave, Disturbing Show." Share 17 March 1991: 17. |
| Hume, Christopher. "Reflections on Black History and Artists." The Toronto Star 15 February 1991: D1, D14. |
| Chater, Nancy. "Someone Hume Happens to Be...." FUSE: Art, Media & Politics (Spring 1991), 12. |
| Judge, Martha. "Purple Haze: Irreverent Visions." FUSE: Art, Media & Politics (Summer 1990), 45–47. |